Review

Kenyon Wilson
Penultimate Tango: for eight trombones

Louisville, KY, United States
Publisher: Potenza Music Publishing
Date of Publication: 2012
URL: http://www.potenzamusic.com

Primary Genre: Trombone Ensembles - 8 trombones

Penultimate Tango, scored for six tenors and two bass trombones was conceived as part of a series of tangos for a variety of instrumental ensembles by the composer. All parts are printed in bass clef and the range of this work, D to b-flat1, is playable by most trombone ensembles. An ensemble with one or two strong players in the upper range and a solid bass trombonist will especially find this piece to be a useful addition to their repertoire. The work is presented in an ABA form that is extended somewhat by an interlude and D.S. al Coda. The outer sections and interlude are primarily given in 5/4 meter and the B section is in 7/8.
 
Commissioned by Dr. William Mann and the Morehead State Trombone Ensemble, Penultimate Tango is a delightful concert piece. The indication Tempo de habebe indicates a rapid speed of quarter note at 156 and stylistically implies an affectionate quality. “Habibi” is an Arabic word which translates to English somewhat as a term of endearment such as calling someone “honey.” The melodic material is primarily found in the first part in the A section, the second part in the B section, and in the bass trombone during the interlude; all other parts function as accompaniment. style evokes a middle eastern charm throughout and the B section is reminiscent of the bridge from a 1960s Stan Getz bossa nova. It is a fun, colorful selection that will diversify concert programs and feature a few of an ensemble’s most talented individuals.

-Dr. Bruce Tychinski
University of Delaware