Review

Juan Carlos Perez
Trombone Sonata:
trombone and string quartet

Bilbao, , Spain
Publisher: Ediciones Musicales
Date of Publication: 2011

Score and parts

Primary Genre: Solo Tenor Trombone - with orchestra
Secondary Genre: Chamber Music

In the classical tradition of chamber music for string quartet and winds, Perez has produced a serious sonata for trombone and string quartet. Written for Alberto Urretxo, this work features tight, dense motivic writing and complex rhythmic structures. Perez takes full advantage of a variety of string sounds and effects, especially ponticello, which gives the work a terse, edgy, and contemporary flavor. The trombone writing is rhythmically and melodically difficult, but the composer understands the instrument and most of the writing fits the slide well. The range, BB-flat to d2, requires complete command of the trombone. 

The opening movement is the most extensive and features dense contrapuntal writing in all parts. Its rhythmic motives echo the sounds of a Spanish guitar. Unique to the trombone writing is a series of high, fast melismas, which could be doodle tongued or smeared for effect. The second movement is entitled Lasai, a Basque word which translated literally means quiet. It is mournful and contemplative music in a simple, homophonic texture. A high violin part creates an eerie effect and the trombone writing requires high controlled playing. The final movement features call and response between trombone and quartet, which then moves into an energetic march. The march undergoes a series of melodic and rhythmic permutations and ends with a final short canon passing through all the voices. Due to the rhythmic complexity and interplay between all the parts, the piece needs generous rehearsal and strong committed playing from all. Trombone Sonata is a strong and serious new addition to the trombone chamber music landscape and provides a rewarding musical experience. 

-Tim Howe
University of Missouri