Review

Jill Townsend
The King’s Trio:

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Publisher: Pagetown Music
Date of Publication: 2007

Score and parts

Primary Genre: Trombone Ensembles - 4 trombones

The King’s Trio was written for trombonist, Sharman King, in celebration of his 60th birthday. This three-movement work particularly showcases the bass trombone’s sonority along with a combination of elements from classical, jazz, and 20th century music. Jill Townsend has composed and arranged for numerous ensembles including her own, Jill Townsend Big Band. Jill has studied composition, arranging, and trombone with Ian McDougall, Kenny Wheeler, Rob McConnell and Jiggs Whigham. Ranges extend from G to d2 in the trombone 1 part, F to a1 in trombone 2, E-flat to f-sharp1 in trombone 3 and AA-flat to c1 in trombone 4. Harmon mute is required for the top three parts in the second movement. The final movement requires special effects in all four parts. Performers are asked to implement glissandi, growls, singing, stomping, and noises during designated free sections. A high school group with a bass trombonist that plays well in the low register should be able to handle this piece. Bass trombone begins the second movement with a solo cadenza so it is imperative that the performer plays musically. It is not technically difficult with the exception of a few high-notes in the trombone 1 part and unison turns in all parts at the start of the third movement. The combination of dynamic shifts, interesting counterpoint, and a mix of classical and jazz elements makes this an enjoyable piece for college and professional groups as well. The composer does a wonderful job of marking releases, articulations, and other important instructions. The King’s Trio is a fine addition to the trombone quartet repertoire. 

—Anthony Williams
University of Mary